I recently saw Da Nada (oops! sorry! wrong film) … I mean, La Strada at one of those Free Film Nights sponsored by the local library. Giulietta Masina as the naive waif stuck in an abusive relationship with a loutish circus strongman played by Anthony Quinn is both adorable and heart-breaking (it is easy to see why director Federico Fellini fell in love with her and asked her to be his wife.) And I hafta think it was a shame Mr. Quinn couldn’t summon up the same passion and regret his character shows in that classic final scene in La Strada in some of his later Hollywood vehicles.
There must have been a problem with the subtitles, though. Because although the film I saw was in Italian with English language subtitles, there was a swarthy Mediterranean type next to me who kept laughing at dialogue I didn’t think was particularly funny. Like I said, there must have been a problem with the subtitles.
Judging from some of the comments online, not everyone “gets” the films by Greek director Yorgos Lanthimos and his screenwriting partner, Efthymis Filippou.
I’ll admit it. Watching the twisted family dynamics in Dogtooth (Oscar nominee – Best Foreign Film – 2009) was kinda bizarre.
The duo’s follow-up film, The Lobster (Oscar nominee- Best Original Screenplay- 2017) is even harder to figure (Colin Farrell, playing against type, is a lonesome, socially awkward bachelor, who checks into a special hotel where residents have 45 days to find a mate among their fellow guests or be transformed into an animal of their choice. His brother, who failed the test, has been turned into a dog.)
The latest effort, The Killing of a Sacred Deer (Winner – Best Screenplay – Cannes Film Festival- 2017), is, I am informed, inspired by Greek tragedy. Mind you, a person would have to be sharp to pick up on this. The title of the film, as it was explained to me, dates back to Iphigeniain Aulis by the 4th century BC playwright Euripides. And, of course, there is a random reference to Iphigenia in the screenplay.
One critic has suggested that Lanthimos has traded in “theatre of the absurd” for “theatre of cruelty”. Certainly Sacred Deer is a heavy watch. (Even Colin Farrell, portraying a heart surgeon who makes a fatal mistake , has told an interviewer that he was “f—-ing depressed” while shooting the film.)
The cast also includes Nicole Kidman.
Does this woman have a portrait in the attic a la Dorothy Gray? (Or is that Dorian). No matter. She gives a deeply committed performance as usual. Barry Keoghan (you may have spotted him in Dunkirk) is especially spooky.
The film starts out slowly at first and gradually tightens like a noose around your neck on its way to its remorseless, chilling conclusion. Yikes!
I saw a familiar face staring out at me from the cover of Vogue Knitting. Admittedly Krysten Ritter looks a little more relaxed than she does in her day job as Marvel’s Jessica Jones, now streaming on Netflix. (Maybe Ms. Ritter is thinking of that scarf she has just created.)
Of course, you’d be agonized, too, if you were Jessica Jones. your brother and father died in a car crash when you were a child, you’ve recently discovered your mom (played with ferociousness and femininity by Janet McTeer) is still alive, although not exactly in the way you remember her, your best friend (Rachael Taylor) is jealous of your superpowers and you have been experimented on by a misguided , some might call him mad, scientist (Callum Keith Rennie).
Yes, she’s troubled but then she is a Marvel Comics character (Hey! That’s part of the appeal) and Ms. Ritter has definitely committed herself to the lead role with commendable results.
As for Ms. Ritter herself, you can see the kittenish side of her onscreen personality as she tries to teach late night talk show host Stephen Colbert how to knit and the bored, I’d-rather-be-knitting side on something called Build (it doesn’t help that the interviewer, who looks almost as bored, mistakenly calls the chief villain in Season One of Jessica Jones “Kilgore” instead of Kilgrave.)
I recently finished reading Slugfest: Inside the Epic 50 Year Battle Between Marvel and DC, Reed Tucker’s meticulously researched (well, meticulously researched,by my standards but then I am not “an aging fanboy” or a comic book cultist). Probably my favorite quote is not from the book but the blurb on the back cover from, of all people, SNL alum and talk show host Seth Meyers: Reed Tucker masterfully dissects the REAL issue dividing us as a nation.”
I don’t have a dog in this fight but I confess to reading Batman comics as a youngster (and I have seen all of the Tim Burton and Chris Nolan films as an adult. ) Still, if someone held a gun to my head and forced me to choose, I would probably have to pick Marvel. I still remember the guilty thrill I got when the bugler in Sgt. Fury and His Howling Commandos mentioned Miles Davis in a speech balloon. Okay, the comic was set in WWII and Miles didn’t start recording till the 50s so it was kinda anachronistic but it was still kinda cool. (Ironically, Sgt. Fury is one of the few Marvel comic book series NOT to be turned into a movie – although I thought Ah-nold would be perfect casting in the abortive project mentioned in Slugfest. Sam Jackson as Nick Fury just doesn’t do it for me.)
But whaddya think about the book? (Who Cares?) It was informative, entertaining and reminded me of those long ago days when I watched all those movies and read all those comic books and graphic novels (still looking for Frank Miller’s DARK KNIGHT RETURNS) unquestioningly.
And then there is Todd MacFarlane and all that background info on Image Comics ……
…. Looks like they are turning one of my favorite fictional tough guys into a pussycat. They’ve even given Jack Taylor (played in the TV series and the movies by Iain Glen …. I guess they couldn’t afford Liam Neeson) a girlfriend. (Siobhan O’Kelly has replaced Nora-Jane Noone but the movie has kept the character’s name, Kate Noonan, and presumably used the replacement as an excuse to involve Jack and Kate in a relationship.)
Author Ken Bruen is obviously so chuffed they are making his novels into TV and movie stuff that he doesn’t care whether the screenplays take radical turns away from his novels. He even refers to Iain Glen in one of his novels and has a cameo role in a movie based on a book.) One thing hasn’t changed from the novels, though. Jack is still letting people down. (He promises to be there to lend support prior to Kate’s cancer surgery and arrives late. Sure, he has a good reason. There is always a good reason. Isn’t there? )
Reviewers who have praised the books as “hard-boiled fiction” are not just whistling an Irish jig. The novels may be too dark for the movie and TV types. But, yes, at the risk of using the cliche, I liked the books better.
I have always regarded Elle Fanning as the youthful essence of cinematic femininity (check out The Beguiled or Somewhere) but in 3 Generations she depicts a teen-age girl who for reasons of her own wants to transition into a boy. (The film was originally entitled About Ray).
Director Gaby Dellal says she got the original idea for the film from a man who was moving furniture for her sister. “I said, ‘How are you?’ and he said, ‘It’s been a tricky day today because my daughter’s just told me she wants to become my son,” the director told NYLON magazine. ” I had never come across any transgender people at that point, not directly, and so I was fascinated. Not only was he open, he was very adjusted by it…. He was so proud of his child and so positive about him, and that’s what really inspired me.”
3 Generations also explores the effect of Ray’s decision on the adults around her, including her single mom (Naomi Watts) and grandmother (Susan Sarandon).
Ms. Dellal defends her choice of casting Ms. Fanning in the title role (“I’m so proud of her characterization and her enormous amount of work and sensitivity to the character that she was playing …. NYLON) but the UK-based filmmaker told VANITY FAIR’s online newsletter HWD DAILY that if she was making 3 Generations now (the film bowed at Cannes in 2015 but was probably shot much earlier) she would have cast a trans actor in the lead role.
3 Generations is not without its flaws (scoring 47 out of 100 on Metacritic) but, as Darren Ruecker writes in wegotthiscovered. com the film “will hopefully inspire discussion and reflection among people who may have never been exposed to trans issues, and that alone makes it valuable.”
Think of an Australian version of Blood Simple (one of the Coen Bros’ early films) and you’ll have a vague idea of what’s going on in this pitch black comedy noir from first-time scripter James McFarland and budding Aussie auteur Kriv Stenders.
Add an Oz A-list cast (Bryan Brown, Teresa Palmer. a pre-Westworld Luke Hemsworth) and Simon Pegg as a cheerfully homicidal hitman (really!).
The film was shot in 2014 and remains obscure. (I signed out my copy from the local library, curious about the cast) but if this sounds interesting to you, hunt for it. Could be a cult film in a few years.