We know Janie (Sarah Hagan) has severe mental health issues, Irma (Barbara Crampton), the housekeeper/stepmother, may be trying to cure her with yoga, holistic exercises and New Age babble and that, in one of her rare forays out of doors (most of the film takes place in a lavish yet sterile Beverly Hills home complete with swimming pool) Janie becomes obsessed with a young woman named Savannah (Sara Malakul Lane) and begins to stalk her.
That’s it. The rest may be up to you. Writer/director Ben Cresciman supplies no backstories for any of the characters. He only hints that something very bad happened to Janie (perhaps dating back to her childhood), her mother has died and the father has been largely absent from the scene (in the film he is on an extended trip to Tokyo). Themes of parental neglect, personal control (or the lack of it) and the care and treatment of mental illness are hinted at. But like all works of art, the final interpretation is left up to the individual viewer.
All three actresses are committed to Cresciman’s vision. The cinematography (by Matthew Rudenberg) reflects the many moods of the characters and is exquisite and well thought out.
The problem, for the viewer, may be that, like Janie, you will have problems separating reality from what is going on in Janie’s feverish imagination. Most of the film seems to be from her deeply disturbed point of view. In literature, Janie’s POV is often referred to as “the unreliable narrator”.
If the idea of a film that entertains while it makes you work and if the concept of a film largely set in one environment and only featuring three main characters makes you as a viewer feel claustrophobic, then you are advised to choose something else.
For me, even though I couldn’t always figure out what was going on, the film held my attention to the bitter end (and the ending may be bitter to most viewers) and images from the film replayed themselves in my mind for several days after viewing, the mark of a film that grips and holds my imagination.
Sun Choke was streaming on Netflix as of May 2017