I Got it at the Library: “By Gaslight”

That Stephen Price is a helluva storyteller.

gaslight - author
Steven Price

At over 700 pages, By Gaslight, the second novel by the Victoria, British Columbia-based poet and fiction writer might have been a doorstopper. But like many of the lengthier films I have enjoyed over the years, I was never bored or visually fatigued thanks to the author’s vividly realized prose and memorable characters.

The novel is set in 1880s London (with flashbacks to the American Civil War and the diamond mines of South Africa) and it is a credit to Mr. Price’s impeccable research and richly detailed narrative that I had to keep reminding myself that this novel was written recently and not penned a number of decades ago. (I haven’t read a novel this rich in period detail which transported me back in time since Half-Blood Blues by Esi Edugyan which was primarily set in 1939 Berlin and Paris – the novel also flashes forward to the early Nineties.) 

gaslight - cover

The story centres around William Pinkerton, son of the crusty, larger-than-life authoritarian who founded the famed investigative organization, and his hunt in foggy London town for an elusive criminal whose very existence is questionable. There is also a gentleman grifter named Adam Foole, his lady love, Charlotte Reckitt, a giant named Fludd and Molly, a ten year old girl who is wise beyond her years (to say the least).  Each of these characters are given humane and believable back stories, scrupulously sculpted by the author. The result is, yes, characters you both know and care about as well as (or better than) members of your own family.

You don’t have to be Fellini, to paraphrase an old George Carlin routine, to see themes of the often thorny relationship between fathers and sons, the futility and tragedy of war (any war) and the Rashomon – like nature of truth interwoven into the narrative.

Perhaps the ancient adage is true that a prophet (or, in this case, an author) is without honor in his own country because, in one of the first Canadian literary websites I logged onto, the highly respected quillandquire.com, while admitting that the novel is “an engrossing read“, the reviewer says  “… nothing carries us beyond the characters to give their stories thematic resonance of the sort that motivates the great 19th-century novels to which By Gaslight is so indebted … “(Perhaps the writer of this review has been hanging around stuffy Ontario academics too long,)

I much prefer the enthusiastic, uncluttered  response of America’s NPR (National Public Radio): ” … Intense …  threaded through with a melancholy brilliance, it is an extravagant novel that takes inspiration from the classics and yet remains wholly itself.”

Perhaps the best description of the novel is on the back cover of the book itself: ” … darkly mesmerizing,” writes author Jacqueline Baker, “worthy of the great Victorian thriller writers, but Steven Price brings to his prose a sensibility and dazzling skill all his own … perfectly grounded in period and rich in incident and image. Haunting and deeply satisfying. “

Come to think of it, Stephen Price and Esi Edugyan are husband and wife. Could they be CanLit’s new Power Couple (even if they are not based in Toronto)?

gaslight - couple
Esi Edugyan and Steven Price: The Canadian Lit Power Couple?

How Swede It Is: FANNY AND ALEXANDER (Part 1)

Bergman - poster

This is definitely the most cheerful Ingmar Bergman film I have seen. Fitting, perhaps, because this 1984 release was the last film written and directed by the late great Swedish filmmaker.

Originally made for Swedish television and later released (in an edited version) in theatres,  Fanny and Alexander starts off with a joyous recreation of a Swedish Christmas celebration in 1907. 

Bertil Guve (Alexander)  and Pernilla Allwin (Fanny): No Sibling Rivalry Here
Bertil Guve and Pernilla Allwin in Fanny and Alexander 

Those Who Know say it is the most autobiographical film of Bergman’s long career and for viewers familiar with the facts of his life there are certainly echoes of the filmmaker’s childhood in the punishment meted out to ten year old Alexander (Bertil Guve) by his stern but well-meaning stepfather (Jan Malmsjo) while his younger sister, Fanny (Pernilla Allwin) looks on helplessly.

Jan Malmsjo (Bishop Vergerus) and Bertil Guve in Fanny and Alexander
Jan Malmsjo (Bishop Vergerus) and Bertil Guve in Fanny and Alexander

However, you don’t need to know the filmmaker’s personal history to enjoy this sumptuously upholstered and surprisingly sensual depiction of the life and times of the large, fun-loving Ekdahl family in turn of the (20th century) Sweden. (The film earned Oscars for Best Foreign Language Film, Best Cinematography, Best Costume Design and Best Art Direction and Set Design.  Bergman was nominated in Best Director and Best Original Screenplay categories.)

 Jarl Kulle (playing married family man Gustav Ekdahl) shares a tender moment with Pernilla Wallgren (the family nanny) in Fanny and Alexander
Jarl Kulle (playing Gustav Ekdahl) shares a tender moment with Pernilla Wallgren (the family nanny) in Fanny and Alexander